Photograph by Morgan Roberts

Craig Wilkinson APDG is a multi-award winning video designer for live performance and creative director of optikal bloc.

His work sits at the intersection of theatre, film language and contemporary visual design, creating integrated video designs and experiences that are dramaturgically driven and tightly woven into the fabric of live performance. His design work has been presented throughout Australia and internationally, including the UK (West End), North America, Hong Kong, Saudi Arabia and South Africa.

Selected video design credits include Kip William’s cine-theatre adaptation of DRACULA (West End, starring Cynthia Erivo), the world premiere adaptation of Trent Dalton’s best selling novel BOY SWALLOWS UNIVERSE (Queensland Theatre Company / Brisbane Festival / QPAC), the Australian premiere and national tour of GREEN DAY’S AMERICAN IDIOT (Shake & Stir Theatre Co), the world premiere of ROUND THE TWIST THE MUSICAL (Queensland Theatre Company / QPAC), the stage adaptation of Max Porter’s best selling novel GRIEF IS THE THING WITH FEATHERS (Belvoir St Theatre), the award-winning FANTASTIC MR FOX (Shake & Stir Theatre Co), ILLUME (Bangarra Dance Theatre), FLORA (Bangarra Dance Theatre / The Australian Ballet), Leah Purcell’s monumental new opera THE DROVER’S WIFE (Opera Australia / QPAC / Oombarra Productions), SHAUN THE SHEEP’S CIRCUS SHOW (Circa / Aardman Animations) and the world premiere and tour of Suzie Miller’s STRONG IS THE NEW PRETTY (Sydney Theatre Company / Brisbane Festival / Trish Wadley Productions).

In late 2026, Craig will video design INTO THE WOODS for Opera Queensland and Queensland Theatre Company, and a new production of THE NUTCRACKER for Queensland Ballet, with choreographer Derek Deane OBE and production designer Lez Brotherson OBE. In 2027, Craig joins the creative team of the world premiere of CLARICE by Trudy Hellier, directed by Simon Phillips, for Melbourne Theatre Company.

Craig has collaborated with some of Australia’s leading directors, choreographers and designers including Simon Phillips, Kip Williams, Frances Rings, Wesley Enoch, Leah Purcell, Sarah Giles, Daniel Evans, Yaron Lifschitz, Lee Lewis, Isaac Drandic, Sam Strong, Craig Ilott, Amy Campbell, Cameron Mitchell, Renée Mulder, Marg Horwell, Charles Davis, Elizabeth Gadsby, Isabel Hudson, Nick Schlieper, Paul Jackson, Ben Hughes and Guy Webster. He has worked with leading Australian arts companies including Sydney Theatre Company, Queensland Theatre Company, Bangarra Dance Theatre, The Australian Ballet, Michael Cassel Group, Opera Australia, Crossroads Live, Trish Wadley Productions, Opera Queensland, Queensland Ballet, CIRCA, Shake & Stir Theatre Co and Brisbane Festival.

Craig’s work has been recognised with four Australian Production Design Guild Awards for Video Design for a Live Performance or Event, five Matilda Awards for Best Video Design and a Gold Matilda for Body of Work, a Sydney Theatre Award for Best Design, and has received an additional 18 award nominations.

He is an accredited member of Australian Production Design Guild and was a recipient of Brisbane City Council Lord Mayor’s Creative Fellowship in 2022.

2026

SYDNEY THEATRE AWARDS
WINNER — Best Set Design for Mainstage Production
GRIEF IS THE THING WITH FEATHER
Simon Phillips and Nick Schlieper with Craig Wilkinson and Jon Weber

AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video and Visual Technology Design for a Live Performance or Event Award
GRIEF IS THE THING WITH FEATHERS
Craig Wilkinson and Jon Weber
AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video and Visual Technology Design for a Live Performance or Event Award
1984

2025

AUSTRALIAN PRODUCTION DESIGN GUILD
WINNER — Video Design for a Live Performance or Event Award
DRACULA
MATILDA AWARD
WINNER — Best Video Design
DEAR SON

AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video Design for a Live Performance or Event Award
ROUND THE TWIST THE MUSICAL

2024

SYDNEY THEATRE AWARDS
NOMINATION — Best Set Design for Mainstage Production
DRACULA
Marg Horwell with Craig Wilkinson

AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video Design for a Live Performance Award
FRANKENSTEIN

MATILDA AWARD
NOMINATION — Best Video Design
JAMES & THE GIANT PEACH
Craig Wilkinson and Jon Weber
MATILDA AWARD
NOMINATION — Best Video Design
ROUND THE TWIST THE MUSICAL

2023

AUSTRALIAN PRODUCTION DESIGN GUILD
WINNER — Video Design for a Live Performance Award
FIRST CASUALTY
AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video Design for a Live Performance Award
THE MYSTERY OF THE VALKYRIE
MATILDA AWARD
NOMINATION — Best Video Design
FRANKENSTEIN
MATILDA AWARD
NOMINATION — Best Video Design
THE WIZARD OF OZ IN CONCERT

2022

MATILDA AWARD
Nomination — Best Video Design
FIRST CASUALTY

Brisbane City Council Lord Mayor's Creative Fellowship

2021

AUSTRALIAN PRODUCTION DESIGN GUILD
WINNER — Video Design for a Live Performance Award
BOY SWALLOWS UNIVERSE

MATILDA AWARD
NOMINATION — Best Video Design
FOURTHCOMING

MATILDA AWARD
WINNER — Best Video Design
BOY SWALLOWS UNIVERSE

2019

MATILDA AWARD
WINNER — Best Video Design
ROALD DAHL’S FANTASTIC MR FOX
Craig Wilkinson & Jon Weber

MATILDA AWARD
NOMINATION — Best Video Design
AVOIDABLE PERILS

2020

AUSTRALIAN PRODUCTION DESIGN GUILD
WINNER — Video Design for a Live Performance Award
AVOIDABLE PERILS

AUSTRALIAN PRODUCTION DESIGN GUILD
NOMINATION — Video Design / Visual Effects for Live Performance or Screen Award
ROALD DAHL’S FANTASTIC MR FOX

2018

MATILDA AWARD
WINNER — Best Video Design
A CHRISTMAS CAROL

MATILDA AWARD
NOMINATION — Best Video Design
I’VE BEEN MEANING TO ASK YOU

2017

DARWIN FRINGE FESTIVAL
WINNER — Golden Croc Award
TERROR AUSTRALIS

2016

ADELAIDE FRINGE
WINNER — John Chataway Innovation Award
TERROR AUSTRALIS

MATILDA AWARD
NOMINATION — Best Video Design

2014

MATILDA AWARD
WINNER — Gold Matilda Award
PALE BLUE DOT, THE MOUNTAINTOP, WUTHERING HEIGHTS, GASP! and 1984

MATILDA AWARD
WINNER — Best Technical Design
PALE BLUE DOT

2012

MATILDA AWARD
NOMINATION — Best Design
1984