ADAPTER & DIRECTOR — Kip Williams
DESIGNER — Marg Horwell
LIGHTING DESIGNER — Nick Schlieper
COMPOSER — Clemence Williams
SOUND DESIGNER — Jessica Dunn
VIDEO DESIGNER — Craig Wilkinson
DRAMATURG — Zahra Newman

CAST — Cynthia Erivo MBE

PRODUCERS (WEST END) — Michael Cassel & Adam Kenwright

ASSOCIATE DIRECTOR — Ian Michael
RESIDENT DIRECTOR — Amber Ruby
ASSISTANT VIDEO DIRECTOR — Benjamin Sheen
VOICE & DIALECT COACH — Hazel Holder

ASSOCIATE VIDEO DESIGNERS — Callum Walker & Dan Light
VIDEO EDITORS — Peter Duggan, Christina Charcharidi, Jake Lodder, Susie Henderson
CAMERA OPERATORS — Marcus Collick, Vicki Mantranga, Benjamin Sheen

LEAD PRODUCTION VIDEO ENGINEER — Nick Ward
VISION SUPERVISOR — Sam Carver
VIDEO OPERATOR — India Day
FOCUS PULLER — Flynn Mehlhopt
VISION SWING — Marshall Stay

GENERAL MANAGEMENT — Amanda Murray & Jordan Taylor for Kindred Partners
ASSOCIATE PRODUCER — Liam Mangan
PRODUCTION MANAGENT — Martyn Sands
PRODUCTION MANAGEMENT ASSOCIATE — Julia Orlando

PRODUCTION PHOTOGRAPHY — Daniel Boud

Winner — AUSTRALIAN PRODUCTION DESIGN GUILD — Video Design for a Live Performance or Event Award
Nomination — SYDNEY THEATRE AWARDS — Best Set Design for Mainstage Production (Marg Horwell with Craig Wilkinson)

★★★★ “This hip, radical version plays to [Erivo’s] strengths on camera and on stage, using head-turning live-capture wizardry” THE TELEGRAPH
★★★★ “That’s what I call event theatre” THE TIMES
The effects, with Craig Wilkinson as video designer, are impressive: a vampire flying by, Dracula crawling down the wall…THE GUARDIAN
★★★★ “It’s clever, technically. But it’s also an ingenious contemporary response to the themes of death, desire, transgression and identity running through the novel, and to prejudiced attitudes to outsiders.” THE FINANCIAL TIMES
“A genre-defying style of cinetheatre that combines live video, prerecorded film, and live performance to create an electrifying immersive experience.” LONDON BOX OFFICE
“Cynthia Erivo Is the Spellbinding Center in Thrilling Display of Gothic ‘Cine-Theater’” THE HOLLYWOOD REPORTER
“Craig Wilkinson’s kaleidoscopically complex video design dazzles without stooping to trickery for trickery’s sake.” THEATREDESK
“One aspect of Dracula that cannot be faulted is how visually stunning it always is, with Craig Wilkinson’s video design frequently astounding to witness” ALL THE DAZZLES